A/CA researcher Catherine Russell guest edited the latest issue of Frames Cinema Journal on "Sensing the Archive – Exploring the digital (im)materiality of the moving image archive." 

The Archive/Counter-Archive Working Papers Series brings together PhD students from different Universities to hear about exciting doctoral research in the area of archival studies. Our speaker was Marcus Jack, who is a visiting MITACs doctoral researcher from The Glasgow School of Art. Marcus's talk was followed by a Q&A with the audience, moderated by our student organizers, Emily Barton and Elisa Arca Jarque.

A call for an Artist in Residence to work with the Canadian Filmmakers' Distribution Centre. 

HOLDING GROUND: NUIT BLANCHE AND OTHER RUPTURES
Edited by Julie Nagam and Janine Marchessault
PUBLIC Books, 2022
312 pages, 22 x 28 cm

This edited collection brings together historical, contemporary, and future-oriented ways of understanding public art in, and adjacent to, the development of Nuit Blanche in Canada. Personal reflections, dialogues, and projects generate a multiperspectival and cross-cultural sense of this all-night public exhibition, which has spanned numerous Canadian cities and forged countless community relations. In addition, it weaves international voices into the dialogue on public art and public space. With contributions by Hiba Abdallah, Karen Alexander, Fern Bayer, Honoure Black and Niigaanwewidam James Sinclair, Carole Boughannam, Karl Chitham, Sara Diamond, Alyssa Fearon, Peggy Gale, GLAM Collective (Heather Igloliorte, Julie Nagam, Carla Taunton), Édouard Glissant and Hans Ulrich Obrist, Jenn Goodwin, Maria Hupfield, Umbereen Inayet, Serena Keshavjee, Justin Langlois, Janine Marchessault, Denise Markonish, Ashley McKenzie-Barnes, bpNichol, Leah Sandals, Haema Sivanesan, Synonym Art Consultation (Chloe Chafe and Andrew Eastman), and Jean-Philippe Uzel.

http://www.publicjournal.ca/holding-ground-nuit-blanche-and-other-ruptures/