The Technology: Innovation Working Group (Technology WG) addresses issues regarding media migration and media translation as various forms of analogue AV art moves into the digital. The Technology WG is primarily focused on questions and issues in support of the technology needs of the Case Study groups.
Themes addressed by this group include:
- Metadata - what kind of metadata makes sense to your community?
- Tech/Interactivity - how do you preserve programmatic, dynamic, or interactive work?
- Materiality - how do we accommodate work where the materiality, form, or medium is integral to the work?
- Research & Analytics - what do you think artists and curators need to make work from the archive?
- Access - are there specific concerns around access to the archive?
Dr. Stacy Allison-Cassin is an Assistant Professor, Teaching Stream at the Faculty of Information at the University of Toronto. Her work is centered in the areas of knowledge organization, metadata, and knowledge equity, with a particular focus on linked data and music. A Citizen of the Métis Nation of Ontario, she engages in work and research related to Indigenous matters in libraries and the larger cultural heritage sector. With a deep interest in increasing access and visibility for non-textual materials and marginalized knowledge, Allison-Cassin is a passionate advocate for change in information structures and metadata systems within the library profession and across the wider GLAM sector. As an Associate Librarian at York University she has held positions as music cataloguer, digital humanities librarian, and as a member of the Department of Student Learning and Academic Success she focused on critical pedagogy with collection responsibilities for Philosophy and History.
David Clark is a media artist interested in experimental narrative and cinematic use of the internet. Recent works include interactive narrative works for the web: 88 Constellations for Wittgenstein, Sign After the X, and A is for Apple and also the non-linear film Meanwhile and the feature film Maxwell’s Demon. His work has been exhibited at Sundance, SIGGRAPH, EMAF, Transmediale, and the Museum of Moving Images in New York. His work has won awards at FILE, Sao Paulo, and the SXSW Interactive Festival. 88 Constellations for Wittgenstein was included in the Electronic Literature Collection #2 and won the $25,000 2011 Nova Scotia Masterwork Award. He teaches Media Arts at NSCAD University in Halifax.
Patricio Dávila is a designer, artist, and educator. He is currently Associate Professor in Design at OCAD University, Co-director of Public Visualization Lab, and a member of the OCADU Mobile Media Lab and Visual Analytics Lab. His research focuses on developing a theoretical framework for examining data visualization as assemblages of subjectivation and power.
In his creative practice he has created mobile applications, locative media projects, essay videos, new media installations, and participatory community projects including: Powers of Kin, Chthuluscene, Tent City Projections, The Line, and In The Air Tonight. His curatorial projects, including Multiplex and Diagrams of Power, investigate the essay film, data, and critical media practices. His research and practice focuses on the politics and aesthetics of participation in the visualization of spatial issues with a specific focus on urban experiences, mobile technologies, and large-scale interactive public installations.
Tamara de Szegheo Lang
Tamara de Szegheo Lang is Project Manager of the Vulnerable Media Lab and Adjunct Assistant Professor in the Department of Film and Media at Queen’s University. She holds a doctorate in Gender, Feminist, and Women’s Studies from York University. Dr. de Szegheo Lang’s research takes up queer history, community-based archives, visual culture, and the affective relationships between LGBT2Q people and the past. Her publications have appeared in the Journal of the Canadian Historical Association, the Journal of Lesbian Studies, and the Journal of Homosexuality. Dr. de Szegheo Lang is also active in curatorial and programming roles. She is a member of the programming committee for the Reelout Queer Film Festival in Kingston, a co-programmer of the Born in Frames Screening Series at Queen’s University, and past curatorial committee co-chair of the Canadian Lesbian and Gay Archives.
Monika Kin Gagnon
Monika Kin Gagnon is Professor of Communication Studies at Concordia University. She is author of Other Conundrums: Race, Culture, and Canadian Art (2000), 13 Conversations about Art and Cultural Race Politics (2002) with Richard Fung, and co-edited Reimagining Cinema: Film at Expo 67 (2014) with Janine Marchessault. She produced the DVD-catalogue restoration, Charles Gagnon: 4 Films (2009), on her late artist-father’s experimental 1960’s films, and related interactive Korsakow film, Archiving R69 (2011). She was co-curator of In Search of Expo 67 at the Musée d’art contemporain de Montréal for the 50th anniversary of Expo 67, including an expanded cinema program of digitally restored multi-screen films from Expo 67. She curated La Vie polaire/Polar Life, a digital simulation of the 11-screen Expo 67 film for Cinémathèque Québécoise (2014), and Theresa Hak Kyung Cha | Immatérial for DHC Art/Centre Phi (2015). She is working on Posthumous Cinema: Unfinished Films in the Archives.
Elina Lex is an interdisciplinary researcher, media artist, and PhD student in Communications Studies at Concordia University. Working across VR, 360° video, sensory ethnography, interactive documentary and digital archives, she investigates how emergent digital media formats might transform the way cultural information, knowledge, and memory is expressed and exchanged. Her current doctoral research-creation project explores potential applications of VR in the design of future archival interfaces and architectures, examining how they might produce new modalities for diverse communities and audiences to share, preserve, and interpret tangible and intangible cultural heritage material. Elina is an active member of the Immersive Media Lab at the Post-Image cluster located at the Milieux Institute for Arts, Culture, and Technology as well as researcher in the Technology: Innovation working group of the Archive/Counter-Archive project.
Kim Tomczak is a multidisciplinary artist primarily known for his work in performance, photography, video, and photo/text work. Since 1983, he has worked exclusively in collaboration with Lisa Steele. They have received numerous grants and awards including the Bell Canada prize for excellence in Video Art, a Toronto Arts Award and in 2005, a Governor General’s Award for lifetime achievement in Visual & Media Arts.
Tomczak is a co-founder of Vtape and teaches at the University of Toronto in the Visual Studies program, Daniels Faculty of Architecture, Landscape and Design. Steele and Tomczak were awarded an Honorary Doctorate by the University of British Columbia (Okanagan) in 2009.