Pascaline Morincôme is a French researcher and curator, member of the curatorial team of Treize, an independent exhibition and production space located in Paris. Since a couple of years, She has been leading a research with Sibylle de Laurens with whom she organized, among other events, a program focused on the links between filmed and printed forms, hosted at the Bibliothèque Kandinsky at the Centre George Pompidou. Together, they are now working on a project dedicated to the archives of the independent video space EZTV in Los Angeles in collaboration with the 18th Street Arts Center of Santa Monica. Since 2018, she has also been working with Olga Rozenblum and Julien Laugier on the films of Guillaume Dustan. She is started a PhD in Art History at the University of Saint-Etienne.

Marie Bernard-Brind'Amour studies alternative media social movements at Concordia University.

Nicholas Avedisian-Cohen is a researcher in film and moving image studies at Concordia University's Mel Hoppenheim School of Cinema. His area of concern focuses on early archives of war and how moving image practices have come to inform public awareness of imperialism and global violence. He has worked on preservation projects at the Yale Film Archive, the Hugh Hefner Moving Image Archive at USC, and Eye Filmmuseum Nederlands, and is currently overseeing exhibition of a film series drawing from Concordia's film archive. In addition to his background in moving image archives, he has worked as a librarian and educator in Washington D.C. and Los Angeles.

Beatrix is a third year undergraduate student at the University of Toronto, studying art history, material culture, and critical theory. She is currently working in the Sexual Representation Collection and is interested in cultural studies and archiving.

Julia Minne is a Phd student at the Département de communication of the Université de Montréal and the Département d’Arts plastiques at the Université Paris 1 Panthéon-Sorbonne and is also in charge of the initiative Savoirs communs du cinéma, carried out by the Cinémathèque québécoise. She has a master’s degree in film archives from the University of Paris VIII.

Genevieve Flavelle is an independent curator and PhD student in the Art History program at Queen’s University. She is a white settler of Scottish and French ancestry raised and currently living in Tkaronto/Toronto. Her doctoral research investigates the work of contemporary visual artists who are challenging traditional forms of historical research to give voice to underrepresented, forgotten, or imagined histories. Her broader research and curatorial interests include queer theory, queer feminist art histories, contemporary art, archives, public art, and feminist curatorial strategies. She holds an MA from Western University and a BA from NSCAD University, both in Art History. She has curated exhibitions at Modern Fuel Artist-Run Centre (Kingston, ON), Younger Than Beyonce Gallery (Toronto, ON), The Khyber (Halifax, NS), and the Anna Leonowens Gallery (Halifax, NS). She has also held the positions of Operation Director at Modern Fuel Artist-Run Centre and Programming Assistant at Eyelevel Gallery. Her writing has appeared in C Magazine, BlackFlash, Esse, and various exhibition catalogues.

Laura Pannekoek is a Ph.D. student in Communication Studies at Concordia. Her research focuses on political ecology and technology at sites of resource extraction. She received an MA in Comparative Literature from the University of Amsterdam with a thesis that traces a geological index in cultural production and energy policy. Laura is a member of Feminist Media Studio at Concordia and the Grierson Research Group on Media, Environment, and Infrastructure at McGill. She is the founder of Soapbox: Journal for Cultural Analysis at the University of Amsterdam.

Corina MacDonald is a PhD Candidate in Communication Studies at Concordia University. She previously completed a MLIS degree in Library and Information Studies at McGill University, where she researched documentary strategies for the preservation of new media art. Her current research interests include knowledge organization, dissemination, and research infrastructures. Her doctoral project focuses on self-archiving practices and platforms as a site of inquiry for understanding changing conditions of academic labour and value regimes within humanities scholarly communication.

Michelle is completing a PhD in the Cultural Studies program at Queen's University. With a background in film and animation studies, her research explores fan-made archives of anime (Japanese animation) and manga (Japanese comics and graphic novels) in a transnational context. Currently she works at the Vulnerable Media Lab at Queen's University as a technical assistant, digitizing analog media "marginalized" sources.

Elisa Arca Jarque is a PhD student in Communication and Culture at York University. She holds a Master's degree in New Media and Contemporary Art from Paris 8 University. She has worked as a project coordinator for ePPA Space/ Platform for Audiovisual preservation, a repository for Peruvian video art. At Alta Tecnología Andina (ATA), she conducted research in media arts with an emphasis on Latin America. She coordinated and contributed to the essay collection The future was now: 21 years of video and electronic art in Peru. As a researcher and consultant, she worked for the Directorate of Audiovisual, Phonography, and New Media at the Ministry of Culture of Peru. She is the general coordinator of MUTA- Festival Internacional de Apropiación Audiovisual, a Lima-based found footage festival. Her current research interests include the use of audiovisual media in religious contexts and Latin American media history.